There had been times to do nothing at all. Nothing to make. Nothing to mend. Nothing to buy, even if it might have been needed. There really had been no need to polish anything at all. The brass pin that I had worn on my lapel, I could not remember even when I had stuck it in on the left side of my jacket, let alone gotten it. The peeling leather of my watch strap, same kind of thing. What it had been to be reminded of them now, like the weathered wooden pickets to a country fence grown gray and showing their grain splitting over time, is that these alone are the bring-about of death. When looking at an old canvas field coat, or a pair of well-worn boots, that is exactly in step with one’s own working, one’s own walking.
Some things, like gardens, renew themselves each year. And, if they are tended well, each year they grow a little better—only because the gardener has learned perhaps one small thing last season. But the gardener is older. Other things, inanimate, forever lifeless, they, too, have their own sullen beauty—stuck the way they are, almost the perfect emblems of eternity. If any change should ever come to rocks lying about the forest, such would only be through something cataclysmic, or something human and mad the way smashing them up to rocky small bits with a hammer would be mad.
The simple fact is that things wear out—valves to kitchen faucets eventually leak; tomato stakes rot at the ends; bicycle tires will get flats. That is how it goes with tree stumps chucked over the stone wall, with a sweet pile of sunflower seeds sifted through by the careful paws of bears, and with people, too, falling asleep to the back-and-forth sounds of katydids chirping again at night when the middle of summer has passed, the way I had in childhood.