Daimon Philips

One hour I had worked in the dirt. And one hour I had worked in the sun. One more in the rain. And the hour that I had liked most was filled with filth and mud. In that were stones, roots, and glass bottles tossed by careless men meandering down drunkenly the backside of the sinuous mountain road away from the police and human desires. And each of these bottles, smashed and whole, I tossed gently into a glass heap. For decades since, the rain had washed the dirt, and the bottles’ broken colors had shone. Now that I had become old, about to die, I had recalled my venal life, uncorrupted by most things most were corrupted by. For me, it was never women, and it was never gold. But the glint of glass, old roadside bottles broken to pieces, all these jewels, all this rubbish had become my Aqaba, my final shipwreck, my Pyrrhic victory against fortune and time.

“Tempus Fugit” (29 BCE)

christ under construction

It had been millennia, some said, since there was a blessing worth a shaker of salt. So much had gone by already, what news of yesterday were it not to have been repeated again today in some other, newer vessel. Having watched by the while upon the outposts of the swamp, I kept my steadfast sights on a future that I knew. Where St. Petersburg would once be built. Where the Uffizi would one day be. Where phalanxes of soldiers would march. Where Cato proclaimed again and again his injunction against poor Carthage. I had heard it every time. Where Dresden would be bombed, around 135,000 dead or so (and a half a page in moldered history books). Where Little Boy and Fat Man were and had been. What were Nevada and what were The Housatonic. I watched John Rolfe take his sacred vows and once Pocahontas she, too, was then dispatched, he was soon taken up with a third wife. All this and more, the villainies of Cabeza de Vaca, and many more just like him, all this I have watched go by like fallen sands blown upon the desert. Ave Maria. Urbi et Orbi. Requiescat in Pace. Shantih. Shantih. Shantih.